Official Review: The Romantic by Felix Alexander
Posted: 30 Aug 2014, 04:25
[Following is the official OnlineBookClub.org review of "The Romantic" by Felix Alexander.]

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Romance novels are everywhere. Given that love is such a powerful and universal longing that can both heal and prey upon vulnerabilities, this isn’t remotely surprising. The upshot, though, is that the ubiquity of romance novels tends to cheapen them and eventually leads to the “if you’ve read one, you’ve read them all” school of thought. For this reason, when a romance comes along that manifests something unique, its points of excellence become extraordinary and even its areas of mediocrity transform into excellence.
In Felix Alexander’s The Romantic, the reader shares the story of Hadriel Alighieri, who made the mistake of falling in love as a boy. Throughout his life, his love haunts him and makes it impossible to truly love another woman despite how much he wants to. His passionate nature and emotional sensitivity ache for true love, but the lack of fulfillment eventually lead him to his own destruction. The story opens on Hadriel’s deathbed as he contemplates the choices and circumstances that brought him there.
In my opinion, the book’s strongest aspect is also its weakest. From beginning to end, The Romantic is told in an almost lyrical cadence. At first, it feels a little awkward, but soon it becomes natural and then beautiful. This manner of storytelling fits seemlessly with Hadriel Alighieri’s character as if he were telling the story in the third person. In places, it becomes poetic and seductive, with skillful turns of phrase that present common description or narration as artistic masterpieces.
However, while in some places the effect is magnificent, in others, it feels stiff and forced. Especially in the beginning when the reader is still getting to know the characters, the narrative style seems more like “telling” the story rather than “showing” the story. It feels like, instead of allowing actions or dialogue to exhibit the emotions that need to be communicated, the author needs to directly inform the reader how each interaction impacts the characters involved. Later on, this style becomes more refined and feels more like the inner workings of the main character’s mind, but especially in the beginning, it is more weakness than strength.
I rate this book 2 out of 4 stars. The plot may be ordinary, but the overall impression of the book is fantastically unique. If anyone is considering reading it, I encourage you to read at least a third of the way in before making an assessment. Allow prose to transform into poetry, and know that the book gets better and better with every page all the way to the last one.
***
Buy "The Romantic" on Amazon

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In Felix Alexander’s The Romantic, the reader shares the story of Hadriel Alighieri, who made the mistake of falling in love as a boy. Throughout his life, his love haunts him and makes it impossible to truly love another woman despite how much he wants to. His passionate nature and emotional sensitivity ache for true love, but the lack of fulfillment eventually lead him to his own destruction. The story opens on Hadriel’s deathbed as he contemplates the choices and circumstances that brought him there.
In my opinion, the book’s strongest aspect is also its weakest. From beginning to end, The Romantic is told in an almost lyrical cadence. At first, it feels a little awkward, but soon it becomes natural and then beautiful. This manner of storytelling fits seemlessly with Hadriel Alighieri’s character as if he were telling the story in the third person. In places, it becomes poetic and seductive, with skillful turns of phrase that present common description or narration as artistic masterpieces.
However, while in some places the effect is magnificent, in others, it feels stiff and forced. Especially in the beginning when the reader is still getting to know the characters, the narrative style seems more like “telling” the story rather than “showing” the story. It feels like, instead of allowing actions or dialogue to exhibit the emotions that need to be communicated, the author needs to directly inform the reader how each interaction impacts the characters involved. Later on, this style becomes more refined and feels more like the inner workings of the main character’s mind, but especially in the beginning, it is more weakness than strength.
I rate this book 2 out of 4 stars. The plot may be ordinary, but the overall impression of the book is fantastically unique. If anyone is considering reading it, I encourage you to read at least a third of the way in before making an assessment. Allow prose to transform into poetry, and know that the book gets better and better with every page all the way to the last one.
***
Buy "The Romantic" on Amazon